Introduction Knoll Light Factory 3. Figure 3 is the Mac interface. There are over presets and they are all accessible through the Preset Manager. You can also create your own presets.
Preview Window is where you see your light design build and take shape. Layer Options display and create an interaction with the source Photoshop file. Master Controls contains parameters that influence the light effect which has built in the Preview Window. Elements of Light shows the list of different light elements that make up your light effect. Element Parameters provides options to apply changes for the selected light element within the list.
Note: The effects are not limited to the picture, these effects can be applied on a plain background also.
Light Factory 3 for Photoshop released
However, there are no options to apply these lights to a transparent background. Follow Indezine. Follow Geetesh. This is the print version of this page. Click on the New Layer icon at the bottom of the Layers palette.
Photoshop will add a new layer named "Layer 1" above the Background layer which is the layer our image is sitting on :. Photoshop won't allow us to apply the Lens Flare filter to a blank layer, so let's fill the layer with a color. We'll use black, which will make it easy to blend the lens flare into the image later.
Go back up to the Edit menu and this time, choose Fill :.
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When the Fill dialog box appears, set the Use option in the Contents section at the top of the dialog box to Black :. Click OK to exit out of the dialog box. Photoshop fills the new layer with black, which fills the document window with black, temporarily hiding the original photo from view.
Now that the layer is no longer blank, we can re-apply our Lens Flare filter. Photoshop still remembers all of the settings we used for the filter the last time we applied it, including the flare's position, so all we need to do is re-apply it. Since the Lens Flare filter was the last filter we used, we can quickly re-apply it simply by going up to the Filter menu and choosing Lens Flare at the very top of the list. The same lens flare appears in the same position in the document window, this time on Layer 1 rather than on the image itself:.
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All we need to do now is hide all of the solid black on the layer and blend the lens flare into the image below it, and we can do that easily by changing the blend mode for Layer 1 from Normal to Screen. You'll find the blend mode option in the top left corner of the Layers palette:. With the blend mode set to Screen, all of the solid black on Layer 1 disappears, leaving only the lens flare itself and giving us the exact same effect we had initially, only this time, its on a separate layer:.
Since the lens flare is now on a separate layer above the image, we can turn it on and off just by clicking the layer visibility icon the eyeball on the far left of Layer 1.
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Click it once to turn the lens flare off. Click it again to turn it back on:. Another benefit to having the lens flare on its own layer is that we can reduce its intensity if needed by lowering the opacity of Layer 1. You'll find the Opacity option directly across from the blend mode option at the top of the Layers palette. The lower you set the opacity, the more subtle the lens flare will appear in the document:. Make sure you save the image as a Photoshop. PSD file when you're done to keep the layers intact in case you ever need to go back to the original image without the flare effect.